Here are some timelapse videos of the face painting workshops.
To finish off the documentation of this wonderful project, here is a video of the Living Gallery. All students were invited to come to the netball court and be part of the Living Gallery, in which students from Prep – 4 could come and view them as living artworks. Well done Grade 5/6, you’re truly amazing!
Wow! What an amazing experience the face painting workshops were for every child involved!! Thank you to all who donated face paint, without your generosity this project would not have been a success.
We started the workshop off by showing the students the videos below and then asking them questions about how Humphries and Meade’s work relates to the I ain’t gonna paint no more! project we’ve been working on since the beginning of term.
Students offered up insightful perspectives on illusions, using skin as a canvas and playing with ideas and concepts to change how we interpret artwork. Students demonstrated higher-order thinking skills when exploring and responding to the artworks, through means of class discussion and artistic expression during the second half of the workshop. Students were given 20 minutes to paint their partner’s face and then they swapped and had their face painted. Students that chose to opt-out painted a mask. It’s so great to see young primary school children participating in such great contemporary art projects!
Thank you to Paige and Max from Grade 3 for being our official photographers for the day! You did an amazing job capturing the creativity of the workshops!
Andrew Williamson helped to run the workshops and took some of these amazing close-up portraits below, just stunning!
Following on from the photographic portraits, here are some collaborative portraits done over a 50 minute session. The idea behind this stage of the project was to spark a conversation around ownership of artwork, leading up to the face painting workshop. Each student was given a piece of paper and was told to only draw two things on the face, for example an eye and nose. The students then swapped their drawing with another person and drew two more facial features. There were 7 swaps in total. We had such a great reflective discussion regarding who owned the work and why. Some students were territorial over their first work, others weren’t fussed and believed everyone owned the work. Some students tried to tame works, others tried to make them more wild. Some students respected the style or aesthetic, others wanted to do their own thing. Overall, it was a great experience for students to work collaboratively and not get too attached to the artwork.
The voice is one of the most versatile of all instruments. As a music educator I love the way students have complete agency over their creativity when using their voice to express themselves. The creative performances that you can hear below are from grade 5/6 students. Working in small collaborative groups the students were first given a series of 4 sketches. Each group was then to choose one and using varying voice sounds create a short composition to match the sketch. The next phase of the unit the students still in their collaborative groups then had to draw their own sketches on A3. These sketches were then used to create new voice soundscape compositions. When these were mastered the students were then give a different sketch created from students from other classes and again were to interpret the sketches into voice soundscapes. Below are some examples.